INDIANAPOLIS (August 25, 2006) — Home theater fans and music lovers can now easily customize the level of bass performance that goes into their entertainment experiences with Klipsch’s five new powered subwoofers with proprietary Digitally Controlled Subwoofer (DCS) Technology. The RT-12d, RT-10d, RSW-10d, RW-12d and RW-10d bring substantial performance enhancement to the company’s acclaimed Reference Series.

The flagship, triangular-shaped RT-12d and RT-10d subwoofers are small footprint, high-output models with powerful front-firing Cerametallic™ woofers and dual rear-firing passive radiators. These subwoofers easily fit into corners where they are less intrusive. This unique enclosure style also allows the passive radiators to face both corners of a wall for maximum bass performance. In fact, corner loading a subwoofer creates a six-decibel increase in output without an increase in power.

Through Digital Signal Processing (DSP), the RT subwoofers give users more control and flexibility with different source material. They both feature a top-side digital control panel that allows users to quickly and easily adjust all functions. The RT-12d and RT-10d also offer three equalization modes (flat, depth and punch) and five user-adjustable presets (music, movie, night and two name-your-own settings) to establish specific listening preferences. By utilizing a patent-pending auto room correction process, formally known as Adaptive Room Correction™ or ARC, and the included calibration microphone, these RT models ensure ideal performance in every listening area. They also come with an IR sensor for operation from any learning remote or control system.

Available in either a cherry or black wood veneer finish, the RT-12d employs three 12-inch drivers and an 800-watt continuous amplifier, while the RT-10d has three 10-inch drivers and a 700-watt continuous amplifier.

As the most compact subwoofer in the line, the RSW-10d features substantially increased amplifier power and all-new high-excursion drivers. The RSW-10d offers three user-adjustable presets (music, movie and night) and features the same digital control panel and equalization modes as the RT models. Available in a cherry or black woodgrain vinyl finish, the RSW-10d also comes with an IR sensor for operation from any learning remote or control system.

The RW-12d and RW-10d enhance the performance qualities that made the preceding RW-12 and RW-10 models so popular. These two new subwoofers still retain critical performance features such as exclusive Corner Port™ technology but now offer the same digital control panel, three equalization modes (flat, depth and punch) and three user-adjustable presets as the RSW-10d. While both the RW-12d and RW-10d come in a black woodgrain vinyl finish, the RW-10d is also available in silver.

The new entry-level RPW-10 subwoofer employs a 10-inch fiber-composite woofer and a 200-watt RMS amplifier. This model features traditional volume, crossover and phase controls and has a front-firing slot port for easy installation into custom cabinetry. Available in a black matte vinyl finish, the RPW-10 brings a new level of performance to the value-priced subwoofer category.

These subwoofers are sold at the following U.S. MSRP pricing: $1,999 for the RT-12d, $1,599 for the RT-10d, $1,199 for the RSW-10d, $699 for the RW-12d, $499 for the RW-10d and $349 for the RPW-10.

Klipsch has already introduced 14 other speakers in its Reference Series, including five floorstanding models, three bookshelf speakers, three center channel speakers and three surround speakers.

Replacing the existing Reference Series III lineup, except for the entry-level RF-10, the latest RF-83, RF-63, RF-82, RF-62 and RF-52 floorstanders all feature titanium tweeters coupled to new generation square Tractrix® Horns with improved throat geometry, Cerametallic™ aluminum woofers with inverted copper dust caps and powerful motor structures. While bi-wire inputs and Klipsch custom internal wiring ensure the line's high-quality connection, the low-diffraction magnetically attached grilles provide a sleek appearance.

Designed to be the best of the best, the RF-83 and RF-63 flagship floorstanders are available in either a cherry or black real wood veneer finish. The RF-83 employs three 8-inch woofers, while the RF-63 has three 6.5-inch woofers. Rigid cast frames help maintain perfect alignment of the large, high-temperature voice coils. Both utilize three rear-firing ports to eliminate turbulence noise and 1.25-inch compression drivers for extended high-frequency response.

The RF-82, RF-62 and RF-52 utilize Tractrix Horn-loaded 1-inch titanium tweeters for improved midrange and treble and high-output woofers for enhanced bass performance. While the RF-82 and RF-62 employ dual 8-inch and dual 6.5-inch woofers respectively, they both feature twin rear-firing ports and ceramic motor structure tweeters. The RF-52 has two 5.25-inch woofers, a single rear-firing port and a neodymium motor structure tweeter with integrated heat sink.

While the RF-82 comes in either a cherry or black woodgrain vinyl finish, the RF-62 and RF-52 are only available in black.

"Raising the bar from an already very high point, these new Reference Series floorstanders deliver smoother overall sound together with more bass power and detail," said Jim Garrett, Klipsch director of product marketing.

These models are sold at the following U.S. MSRP pricing: $2,498 for a pair of RF-83s, $1,798 for a pair of RF-63s, $998 for a pair of RF-82s, $798 for a pair of RF-62s and $598 for a pair of RF-52s.

Klipsch also introduced 15 other speakers in its Reference Series, including three bookshelf models, three center channel speakers, three surround speakers and six powered subwoofers.

In total, there are five new floorstanding speakers (RF-83, RF-63, RF-82, RF-62 and RF-52), three bookshelf models (RB-81, RB-61 and RB-51), three center channel speakers (RC-64, RC-62 and RC-52), three WDST™ surrounds (RS-62, RS-52 and RS-42) and six powered subwoofers (RT-12d, RT-10d, RSW-10d, RW-12d, RW-10d and RPW-10). This fourth generation of product will replace the current Reference line except for the entry-level 10 series models. 

"Since its initial launch in 1999, the Klipsch Reference Series has created a whirlwind of success for the company and its business partners," said Jim Garrett, Klipsch director of product marketing. "By introducing a fourth generation of product with new and better features, we will strengthen our position in the specialty retail channel."

The RF-83 and RF-63 flagship floorstanders each utilize three high-output Cerametallic™ woofers and a 1.25-inch titanium compression driver with exclusive Tractrix® Horn-loaded technology. Available in either a cherry or black wood veneer finish, the RF-83 and RF-63 also feature bi-wire inputs with premium binding posts and Klipsch custom internal wiring for high-quality connection. The RF-82, RF-62 and RF-52 floorstanders offer improved Tractrix horn-loaded tweeters and extended low-frequency capability among other added high-performance benefits.  

The latest bookshelf speakers all offer improved bass response and feature high-output Cerametallic woofer cones and titanium compression drivers mated to the latest generation of square Tractrix Horns. The RB-81 flagship bookshelf model utilizes an 8-inch woofer and 1-inch tweeter with a ceramic motor structure for extended low and high frequency responses. Available in either a cherry or black woodgrain vinyl finish, the RB-81 also includes bi-wire inputs and Klipsch custom internal wiring for high-quality connection.

The new RC-64, RC-62 and RC-52 center channel models utilize Klipsch's exclusive Tapered Array™ technology and custom internal wiring to deliver perfectly balanced sound over the entire listening area. Cerametallic woofers with inverted copper dust caps, new titanium compression driver tweeters with enhanced Tractrix Horns and full video shielding are also featured throughout the line. The RC-62 and RC-52 offer improved low frequency extension, while the flagship RC-64 is an all-new, class-leading design with four 6.5-inch high-output woofers flanking a central 1.25-inch titanium compression driver.

The RS-62, RS-52 and RS-42 surround speakers, featuring exclusive Wide Dispersion Surround Technology, adopt a completely new cabinet and driver layout that is similar to the Klipsch THX Ultra2® KS-525-THX surround. This configuration establishes greater output, improved coverage and increased power handling to further extend Klipsch's best-in-class surround sound performance. Available in a matte black vinyl finish, all three of these models employ dual Cerametallic woofers and dual titanium tweeters coupled to Tractrix Horns for enveloping surround sound fields, as well as precisely localized rear surround effects. Side-firing ports, back-panel keyholes and ¼"-20 threaded inserts simplify installation.

Designed to deliver staggering bass intensity, the new triangular-shaped RT-12d and RT-10d flagship subwoofers are small footprint, high-output models with powerful front-firing Cerametallic woofers and dual rear-firing passive radiators. Available in either a cherry or black wood veneer finish, these subwoofers easily fit into corners where they are less intrusive. This unique enclosure style also allows the passive radiators to face both corners of a wall for maximum bass performance. In fact, corner loading a subwoofer creates a six-decibel increase in output without needing an increase in power.

Through DSP, the RT subwoofers deliver a new level of customized bass performance. They both feature a digital control panel display that allows users to quickly and easily adjust all functions. The RT-12d and RT-10d also offer three equalization modes (flat, depth and punch) and five user-adjustable preset modes (music, movies, night and two name-your-own settings) to establish specific listening preferences. By utilizing a patent-pending auto room correction process, formally known as Adaptive Room Correction™, and the included calibration microphone, these RT models ensure ideal performance in every listening area.

As the most compact subwoofer in the line, the RSW-10d has an even smaller enclosure than its predecessor as well as substantially increased amplifier power and all-new high-excursion drivers. The RSW-10d offers three user-adjustable preset modes (music, movies and night) and features the same digital control panel and equalization modes as the RT models.

The RW-12d and RW-10d enhance the performance qualities that made the preceding RW-12 and RW-10 models so popular. These two new subwoofers still retain critical performance features such as exclusive Corner Port™ technology but now offer the same digital control panel and three equalization modes (flat, depth and punch) as the RSW-10d.

The entry-level RPW-10 is a powerful front-firing 10-inch subwoofer with a fiber-composite cone that brings a new level of performance to the value-priced subwoofer category. It also features a front-firing slot port for installation into custom cabinetry.

With this new diverse lineup, the Klipsch Reference Series now covers U.S. MSRP price points ranging from $498 to $2498 for a pair of floorstanding speakers, $248 to $698 for a pair of bookshelf models, $199 to $899 for a center channel, $298 to $998 for a pair of surrounds and $349 to $1,999 for a powered subwoofer.

What is the best way for me to hook up my subwoofer?
The optimal connection is to use the RCA (Phono) "sub" or "woofer" line out found on home theater receivers and pre-amps. Some subwoofers offer High Level inputs (speaker wire connections), they are there for use with a receiver or pre-amp without a sub RCA connection. You don't need to use both and in most cases it's not recommended. 

Just as receivers and preamplifiers are different across brands, subwoofer brands may be different as well. Every room may be unique in the way it supports or cancels low frequency information. The quantity of bass desired may differ for each listener. Additionally, hookups to the same amps or receivers and the same subwoofers can produce different results if "bass management" settings (speaker size selectors, etc.) or subwoofer settings are different. The best thing to do is to experiment until it sounds just right for your listening style. 

In some rare cases, you may find an RCA connector marked LFE (Low Frequency Effects) on a receiver or pre-amp; hooking up the "LFE" jacks usually only sends bass special effects of a 5.1- encoded movie to the subwoofer. In that case, when music is played on a two-channel source (for example, a CD), the subwoofer may not receive any signal at all. That situation would call for a hookup of both the "LFE" jacks and the speaker terminal jacks to a subwoofer, in order for the sub to produce bass with all sources. You would need to set the main speakers to "large" in the receiver or pre-amp set-up menu. If you have both LFE and sub out connections on a receiver or preamp, your best choice would be to use the ‘sub out’ connector, because the LFE signal may still be mixed in with the sub channel. 

Be sure to check the owner’s manual that came with the subwoofer about connecting to both LFE in and speaker wire inputs. With some older subwoofers, this was listed as "optional" and it's fine to connect to both; however with most subs today, this is not recommended, as it may damage the sub electronics. So double-check the manual or contact our tech support department to clarify any questions regarding Klipsch subs. 

In the end, it comes down to what sounds best to you, given your equipment and your individual tastes. It takes some time and experimentation, but when you have listened to all your options, you’ll know which one is best for you. 

Where is the best place to put a subwoofer in my room?
It is generally believed that the bass you hear below approximately 80 Hz is non-directional. This means that you can point the loudspeaker in any direction and the sound will still reach the listener's ears. Since much of the bass that subwoofers produce is below that frequency, you can place the subwoofer almost anywhere in the room. This is the opposite of full-range speakers, which have just a few placement options in a room that allow them to sound good, since they must be positioned for the best combination of imaging and tonal balance. Putting a subwoofer in a corner of the room may cause the sub to sound louder. If your subwoofer is a ported design, keep it at least twice the diameter of the port exit (probably 6-12 inches) away from the nearest wall, so that air flowing out of the port is not obstructed. If the bass seems too boomy, you can fine-tune the sub by moving it farther from the wall until it sounds smooth to your ears. 

The best way to find the ideal place for your subwoofer is to hook it up and put it right where you will be sitting in the room. Set the subwoofer to level, low pass and phase. Play something with consistent, deep bass and move around the room on your knees; this way your head is about where it would be when you are seated. The spot where the bass sounds best is a spot where you might put your subwoofer. You may find more than one location.

Corner placement of the subwoofer typically yields the loudest output (highest efficiency). This does not mean that it will always sound best in this position; experimenting with placement is always suggested. It's also important to have the sound from the sub reach the listener in sync with the sound from the main speakers; otherwise the sound may not blend properly. You should not be able to hear your subwoofer as a separate entity—it should seem that your main speakers go deeper with greater impact and authority. 

Can I put more than one subwoofer in my room?
Sometimes, adding a second subwoofer can smooth bass response throughout the room. This is due to strong acoustic standing waves in the room which are dependent on the basic room dimensions (height, length, and width) and the placement of the sub and primary listening area. With a single sub, it is possible to obtain strong bass at one spot, with very weak bass elsewhere in the room. You can hear this by carefully listening to bass as you move a few feet in any direction. If you have strong bass/weak bass problems, using a second sub in a different location may reduce the severity of the problem. The important thing to remember is to find what sounds best to you! Each room is different; experiment until you find the placement that produces the most pleasing bass to your ears.

Some people feel they can never have enough bass. So long as they are placed properly, multiple subwoofers typically produce more bass. It is important to note that unless the second subwoofer goes deeper than the first one, adding additional subwoofers will only raise the bass volume—it will not produce deeper base. You’ll need to experiment with different positions (as previously described) to find the best places for two or more subwoofers. Some people use one subwoofer for a certain frequency range and the second for another (such as the LFE channel in 5.1 recordings). Other options are to connect one subwoofer to the front channels and one to the rear channels, or one to the center channel and the other to the remaining channels.

What is the basic setup for the Quintet™ III and optional SUB 10 or 12 subwoofer?
For most home theater systems, you’ll use a standard RCA connector hookup. This is a shielded wire that is similar in construction to the wires leading from a DVD player to a receiver. It will connect to the single SUB or LFE jack on the back of your receiver and to either of the two inputs on the back of the sub. If you wish, you may obtain a ‘Y’ connector to hook up to both of the sub inputs; this will result in a slight increase in volume.

Cables specifically designed for subwoofer use typically are better shielded than standard ‘patch cables’ and may offer possible noise reduction or cancellation from electrical devices the cable may come in contact with. Some subwoofer cables are directional, (one end always hooks up to receiver, the other to the sub), so always read any instructions that come with your specialty cabling.

Settings in the receiver’s menu system are detailed in the owner’s manual. Here are some suggestions for getting the best possible sound and reliability from your Quintet III with subwoofer system:

• Set all speakers to SMALL setting within the speaker setup controls,
• Adjust the crossover (or Low Pass filter) to 110 or 120 Hz.
• Set the LFE out to SUB ONLY (options might include mains or sub + mains)

Settings on the SUB rear panel are as follows:

• Set the gain/volume to 8 to begin with; you’ll fine tune the balance with receiver remote control.
• Set the low pass/crossover dial fully clockwise to 120. This eliminates the sub’s filter system.
• Set the phase switch to ‘0’; you won’t be using this with the Quintet system.
• Set the ON/OFF switch near the power cable to ON. This is the master power switch.
• Set the auto/ON switch to AUTO. The sub will sense when music or a soundtrack is present and
automatically turn the power on. It will wait a few minutes after the end of the movie to shut off.

If your receiver came with an ‘optimizer’ microphone and setup system, make sure to check the receiver’s settings after running the auto-setup. It is important that your speakers remain set to the SMALL setting. Quintet III satellite speakers cannot reproduce bass tones; allowing the receiver to send bass to them at movie levels might damage them.

The back of the subwoofer is warm. Is this normal?
A subwoofer will run warm when in use, by design. However, it should not be uncomfortable to leave your hand on the back panel for 5 seconds.

I'm not getting any sound out of the subwoofer. What should I check?
Unplug the system to allow the subwoofer to “reset.” Also, test the speaker using another device. You can plug one end of an audio cable (you may need a RCA female to Mini-plug male adaptor) into the headphone output jack of devices such as a portable CD player or MP3 player; plug the other into either ‘line in’ RCA jacks on the sub to determine if the problem is with the subwoofer or the soundcard drivers. If problems persist, please email technical support at technicalsupport@klipsch.com.

Subwoofer Direct CD Test:
If you get little or no sound from your subwoofer, perform a "direct in" test to determine if the problem is more than a simple cable or level-setting issue. Start by using a different set of RCA connector cables, then connect the analog audio out from a CD player or DVD player directly into the subwoofer's LINE IN connections. Then, turn the volume level on the subwoofer all the way down. While playing a CD, raise the volume level on the subwoofer; you should hear the bass portion from the source material. If the subwoofer still duplicates the problem, then the issue may be a blown woofer or involve the sub amplifier. However, if the subwoofer functions correctly, then the issue may be with a cable, the receiver and/or a level setting.

How should I set my home theater receiver for a particular speaker size?
The "bass management" option on today's home theater receivers is designed to route mid- or low-bass or both frequencies to a subwoofer in the system. What setting you should select is based on the bass capabilities of the speakers in question.

In general, "satellite" and bookshelf speakers should be set to "small." Floor-standing speakers should be set to "medium" or "large" depending on their ability to accurately reproduce deeper bass. At the same time this option is set, the frequency of the subwoofer's bass reproduction should also be set. If, for example, you have small bookshelf speakers you have set to "small", you should set your subwoofer to 100-120 Hz. If you have big speakers set to the "large" setting, you should set the subwoofer lower (i.e. 50-80 Hz).

The correct settings on both the receiver and subwoofer will allow the subwoofer to pick up the bass where the speaker leaves off; creating a smooth transition that reduces boominess at frequencies both the subwoofer and the speaker are delivering. The correct settings are best obtained after experimentation yields the best sound to your ears.

How do I set subwoofer phase?
Depending on the absolute phase of your main speakers and amplifier and the distances of the subwoofer and the main speakers from the listening position, the bass in the crossover region may be smoother if you reverse the subwoofer’s phase. Typically, though, phase is left at 0° for most applications.

While seated in your listening sweet spot, play music with bass content that is familiar to you and then have someone switch the 0/180 phase switch on the sub to 180-degrees. This will let you determine if the bass sounds louder in your seating position. The more bass-heavy setting is where the output of the subwoofer and the main speakers are most in phase. Use whatever position (0/180) is louder at your seating location. (Note: some subwoofers may contain a “variable” phase control, which provides variable control between 0 and 180 for even more precise phase control of your subwoofer.) However, if you do not notice any difference when changing the 0-180 setting, it only means there are no issues in your room and all is fine.

I’m experiencing a humming or buzzing noise. What should I check?
This could be a ground loop hum/buzz or possibly a transformer hum through the speakers. In fact, large subwoofer transformers are more susceptible to a slight hum noise.

A speaker hum at your listening location is never normal. To determine if the sub amp is functioning correctly, the best thing to do is disconnect all of the connection inputs going into the subwoofer. Keeping the subwoofer plugged into the AC outlet, turn it on; if the hum still exists, there may be a ground loop issue or a problem in the sub amplifier. In that case, the amp should be serviced or replaced. If there is no hum at that point, the issue might involve the preamp or another ‘upstream’ source component. Some common causes of a ground loop hum are cable TV connections, digital recorders or satellite dish receivers. 

If the hum issue is found to be with a cable TV coax wire, then a device called a MAGIC box possibly may help eliminate the ground loop from cable TV, or an OTA antenna. Some, if not all surge protectors have a cable or satellite in and out cable connection; try that as well.

Can I program a “learning” remote to operate my subwoofer?
Although Klipsch has provided download files for remote control operation, we do not officially support any remote control issues. Our tech support group has not programmed any learning remotes to function with the RT series; they do, however, provide the IR codes. Any issues that might arise concerning the programming of remotes would be technical support issues for the individual remote control manufacturers.

Codes for the Phillips Pronto, RTI, and Universal Remote controls are not “read text” files. Unless your remote is programmable via PC, it’s unlikely these will be of any use. If your remote is not one of these brands, you should still be able to obtain files to program them. (See below) To use our codes, unzip them to your hard drive and connect the remote via cable to your computer; the codes are downloaded directly into the remote.

For example, to program UEI manufactured remotes, go to http://www.uei.com. Under products, you should see One-For-All, Kameleon and Nevo. The code should work, once you use a standard number code (1991) to program. In theory, after you have a working remote, a learning remote should be able to "learn" the codes from the programmed unit, just as it would for any other remote.

Logitech has the codes for all Harmony remotes for the Klipsch model subs noted below. All Harmony remotes should accept the same programming. Add the device from the Harmony software in the following manner. http://www.logitech.com

Add “Device”, choose “Amplifier”, choose “Amplifier” the second time, choose “Klipsch” from the manufacturers’ listing and type in the model precisely as they are below for the model you own:

• RW-10d
• RW-12d
• RSW-10d
• RT-10d
• RT-12d

INDIANAPOLIS (April 3, 2008) — Since their introduction in 1999, Klipsch® Reference Series speakers have been sold exclusively through specialty A/V storefronts. Last month, however, this sales strategy shifted slightly when six retailers, authorized by Klipsch, began selling the fourth generation of this premium home audio lineup on their web sites.

After much consideration and planning, Klipsch selected the following retailers to help successfully launch the series online: Crutchfield, Vanns Electronics, ABT Electronics, OneCall, Sound Distributors and Sixth Avenue Electronics. All six retailers will carry the complete Reference IV line—everything from floorstanders to subwoofers.

According to Paul Jacobs, president and COO of Klipsch Group, Inc., there were two major reasons behind this new online distribution strategy.

First of all, over the past several years, Klipsch has filed multiple lawsuits against unauthorized companies selling its products over the Internet. Not only does this unfortunate scenario violate Klipsch’s trademarks and reputation, it also negatively impacts online shoppers who, unbeknownst to them, end up buying B-stock, or even used, products that are devoid of any warranty or customer support. “For those who prefer to purchase our Reference products online, we are making it possible for them to buy from a reputable source that provides A-quality products, expertise and support,” said Jacobs.

Secondly, in certain markets, especially areas where there has been retail consolidation, it can be difficult for consumers to find and purchase the Reference Series. “By having these products online, consumers don’t have to spend a lot of time and effort trying to find our speakers. They now have the ability to order product 24 hours a day, seven days a week,” said Jacobs.

When it came to choosing its online partners, Klipsch went about it very strategically. All six retailers had to meet the following criteria: MAP pricing adherence, call-in tech support at least 16 hours per day, ownership of all warranty repair, top-notch online security, clear privacy statements, real-time order status reporting, archival of sales records for two years, high-level business insurance, no eBay sales on current merchandise, sales to end-users only and strict adherence to Klipsch branding guidelines.

“These six retailers have been selling direct for many years and have earned a solid reputation with not only Klipsch, but the entire industry,” said Jacobs. “They know our products and know how to provide the absolute best customer care, so there was no doubt in my mind when it came to selecting them as our online partners.”

Jacobs also mentioned that in addition to serving a consumer segment that prefers the online shopping experience, he is confident the increased brand exposure in this controlled environment complements and strengthens Klipsch’s more traditional channels.

As part of the third annual Distributed Audio Awards sponsored by the Consumer Electronics Association, EHX recognized the RVX-42 and 16 other multiroom audio products for their exceptional innovation, functionality and value at last month's EHX Fall 2004 trade show. A panel of five industry experts judged a total of 55 products before determining the best in each of the 17 award categories.

Available in black or silver, the RVX-42 perfectly complements a 42-inch flat-panel display. It has a single-piece extruded aluminum enclosure and employs dual 4-inch aluminum woofers and a 1-inch titanium-dome compression driver mated to a round Tractrix® Horn. Other features include keyhole mounts (sized to fit a single-gang electrical box), plus dual 3/8"-20 threaded inserts for popular wall mounts and a pedestal base. There are two insert locations on the RVX-42 where the pedestal can be positioned - one in the center and one on the bottom so the loudspeaker can either serve as a center channel or bookshelf. Another key feature is a bass compensation switch that tailors the speaker's crossover network for maximum performance whether placed on-wall or off-wall.

"The Reference 10 models push our acclaimed Reference Series technology and styling to more affordable prices allowing more people the opportunity to enjoy the dynamic Klipsch sound experience in their homes," said Jim Garrett, Reference Series brand manager. "The RF-10 and RB-10 take us into new territory because Klipsch has never designed a floorstander and bookshelf this small before."

The RF-10 employs dual 4.5-inch woofers and a 1-inch titanium-dome compression driver loaded with a 5-inch square Tractrix® Horn. The remaining Reference 10 models utilize 4-inch woofers and 4-inch horns with 1-inch titanium-dome compression drivers.

The woofers on the Reference 10 loudspeakers feature Klipsch's distinctive, copper-colored Cerametallic™ cones. Made from anodized aluminum, these cones are strong and dent resistant. The anodizing process converts their inner and outer surfaces to ceramic. The outcome is a rigid cone with superb damping characteristics that will not flex or resonate at frequencies within the woofer's operating range.

As in all Reference Series speakers, the Reference 10 crossover networks are constructed using extremely high-quality components including top-of-the-line internal wiring, polyester film-type capacitors and air-core inductors, to ensure signal purity and proper driver integration.

The RF-10, RB-10 and RC-10 feature low-diffraction sculpted baffles and magnetically attached grilles for an elegant fit and finish. These unique grilles snap easily into place for a low-profile look. To simplify the installation process, the RB-10 and RS-10 come with back-panel keyholes for on-wall mounting and threaded inserts for attachment to popular adjustable wall and ceiling brackets.

The Reference 10 products come in a black vinyl finish and will be available this May at U.S. MSRPs of $500 for a pair of RF-10s, $250 for a pair of RB-10s, $300 for a pair of RS-10s and $200 for an RC-10. A 5.1-floorstanding system with a Reference RW-8 will cost $1,350, while the bookshelf version will cost $1,100.

As with all Reference Satellite models, the new RSX-3 monitor and RCX-3 center channel are unobtrusive, stylish and versatile loudspeakers that fit almost anywhere, in any type of system, in any type of environment.

Both of these models have integrated pedestal stands with ball joints that allow them to be adjusted in almost any direction by simply using the provided allen wrench. Keyholes are provided on the underside of the stand base for no-hassle wall mounting. Grilles magnetically snap into place over the front baffles, while sturdy five-way binding posts ensure secure connection to any type of cable.

Available in a black or silver finish, the RSX-3 and RCX-3 are both two-way, magnetically shielded speakers that employ 3.5-inch aluminum woofers and 0.75-inch titanium-dome compression drivers coupled to Klipsch's new round MicroTractrix™ Horns for maximum clarity and efficiency. These loudspeakers also feature high-quality network components and top-of-the-line internal wiring.

The woofers are long-throw units driven by powerful ceramic magnetic motor structures. The Cerametallic™ cones are lightweight with excellent rigidity, which dramatically reduces any resonance. As a result, the RSX-3 and RCX-3 are capable of robust bass extending low enough for comfortable operation with today's built-in A/V preamp/processor and receiver crossovers.

Expected to ship in June 2004, the RSX-3 and RCX-3 will be sold together in a single box that includes four RSX-3s and one RCX-3 for a U.S. MSRP of $600. The Cinema 6 package, including the RW-8 subwoofer, will carry a U.S. MSRP of $950.

The RVX-42 perfectly complements 42-inch plasma and LCD screens. It also features keyhole mounts (sized to fit a single-gang electrical box), plus dual 3/8"-20 threaded inserts for popular wall mounts. There are two insert locations on the RVX-42 where the included pedestal base can be positioned - one in the center and one on the bottom so the loudspeaker can either serve as a center channel or bookshelf. Another key feature is a bass compensation switch that tailors the speaker's crossover network for maximum performance whether placed on-wall or off-wall.

Both RVX models are available in the same black or silver finishes as the Klipsch Reference Satellites so that they can be combined to create complete systems. For example, consumers can design a 5.1-channel surround sound system using a pair of RVX-54 main channels, a pair of Reference Satellite RSX-5s for surrounds, an RVX-42 for a center channel and a Reference Series RW-12d subwoofer.

The Klipsch Reference Series RVX speakers are packaged individually for mix-and-match simplicity. The RVX-54 has a U.S. MSRP of $799 each and the RVX-42 has a U.S. MSRP of $449 each.

These advanced Reference bookshelf models all feature titanium tweeters coupled to new generation square Tractrix® Horns with improved throat geometry and powerful Cerametallic™ aluminum woofers for extended bass response. While Klipsch custom internal wiring ensures the line's high-quality connection, the low-diffraction magnetically attached grilles provide a sleek appearance.

The flagship RB-81 bookshelf speaker employs a high-output 8-inch woofer and a 1-inch compression driver with nine-ounce ceramic magnet motor structure. Available in either a cherry or black woodgrain vinyl finish, it also features bi-wire inputs and a front-firing port for easy installation into custom cabinetry.

The RB-61 has the same high-end content and finish as the RB-81, but comes with a 6.5-inch woofer. The RB-51 utilizes a 5.25-inch woofer and a 1-inch compression driver with a neodymium magnet motor structure. Available in a black woodgrain vinyl finish, the RB-51 also features a single-wire input.

"From the drivers to the cabinets and from the crossovers to the cabling, these new Reference Series bookshelf speakers are designed to deliver maximum performance for years to come," said Jim Garrett, Klipsch director of product marketing.

These models are sold at the following U.S. MSRP pricing: $698 for a pair of RB-81s, $448 for a pair of RB-61s and $348 for a pair of RB-51s. The current RB-10 will continue to retail for $248 a pair.

Klipsch also introduced 17 other speakers in its Reference Series, including five floorstanding models, three center channel speakers, three surround speakers and six powered subwoofers.

Replacing the entire existing lineup, except for the RS-10, the latest RS-62, RS-52 and RS-42 WDST surround speakers adopt a completely new cabinet and driver layout that is similar to the Klipsch THX® Ultra2 KS-525-THX surround speaker. This configuration establishes greater output, improved coverage and increased power handling to further extend Klipsch's best-in-class surround sound performance.

All of these new models come in a matte black vinyl finish and feature titanium tweeters coupled to new generation square Tractrix® Horns with improved throat geometry, Cerametallic™ aluminum woofers with inverted copper dust caps and powerful motor structures. Exclusive Klipsch Wide Dispersion Surround Technology creates enveloping surround sound fields and precise localization of individual effects. Side-firing ported enclosures, back-panel keyholes and ¼"-20 threaded inserts further simplify installation, while single-wire inputs and Klipsch custom internal wiring ensure high-quality connection.

While the RS-62 employs dual 6.5-inch woofers and dual 1-inch tweeters with nine-ounce ceramic motor structures, the RS-52 utilizes dual 5.25-inch woofers and dual 1-inch tweeters with neodymium magnet motor structures. The smaller RS-42 features the same tweeters and motor structures as the RS-52, but has dual 4-inch woofers.

"By featuring drivers that are set diagonally, the new Reference Series WDST speakers are able to minimize output interference and captivate audiences like never before," said Jim Garrett, Klipsch director of product marketing. "These advanced models smoothly cover a 180-degree horizontal arc so that the sound points at you no matter where you are seated."

These models will be packaged individually and sold at the following U.S. MSRP pricing: $998 for a pair of RS-62s, $698 for a pair of RS-52s and $448 for a pair of RS-42s.

Klipsch also introduced 17 other speakers in its Reference Series, including five floorstanding models, three bookshelf speakers, three center channel speakers and six powered subwoofers.

Replacing the Reference Series III lineup, except for the entry-level RC-10, the latest RC-64, RC-62 and RC-52 video-shielded center channels all feature titanium tweeters coupled to new generation square Tractrix® Horns with improved throat geometry, Cerametallic™ aluminum woofers with inverted copper dust caps and powerful motor structures. Exclusive Klipsch Tapered Array™ technology along with Klipsch custom internal wiring provide perfectly balanced sound over the entire listening area. Low-diffraction magnetically attached grilles bring a sleek appearance to the line.

Designed to be one of the most unique and powerful center channels on the market, the RC-64 employs four 6.5-inch high-output woofers and a new 1.25-inch compression driver tweeter for extended high-frequency response. Available in either a cherry or black wood veneer finish, this flagship center channel also features bi-wire inputs with premium binding posts.

The RC-62 employs dual 6.5-inch woofers, twin front-firing ports and a 1-inch tweeter with a nine-ounce ceramic motor structure, while the RC-52 utilizes dual 5.25-inch woofers, twin front-firing ports and a 1-inch tweeter with a neodymium magnet motor structure. The RC-62 is available in a cherry or black woodgrain vinyl finish, while the RC-52 only comes in a black woodgrain vinyl finish.

"The design requirements for a center channel speaker are typically among the most challenging," said Jim Garrett, Klipsch director of product marketing. "The new Reference Series center channels overcome the limitations of conventional designs and deliver a seamless, engaging soundstage."

These models will be sold individually at the following U.S. MSRP pricing: $899 for the RC-64, $449 for the RC-62 and $299 for the RC-52.

Klipsch also introduced 17 other speakers in its Reference Series, including five floorstanding models, three bookshelf speakers, three surround speakers and six powered subwoofers.